After you have executed your character analysis in the script you must get down to shape your characters for performance. Solid Dramatic Interpretation characterization is what will give you the push you necessitate to rank highly. One aspect of characterization that needs to be worked until unclouded and fresh involves the physicality of character. In Dramatic Interpretation you, most probable, will have an array if characters that all need to stand up as individuals. It is just you executing, but you need to get the audience to debar disbelief and be competent to conceive of several individuals morphing in and out of the performance. Using your character analysis, begin the character molding process:
Angle You might not be able to move from your spot on “stage” but you sure can manipulate that tiny area where you stand. You do not always necessitate to be confronting forward; there is the proper and gone forth of you to consider. For example, one character can always be facing left. Not only does this assist to separate the character for the audience, it also assists make protruding easier for you
Stance How you stand up says a lot about a person. Is your character the predominating type that would keep an ample stance? Are they submissive and seek to be as little as accomplishable? Do they stand with legs perfectly unbent or are the knees bent from age? There are many stances you can take; antithetic ways to maneuver your legs and feet to assist state a story
Posture. Body language continues through the upper half. How would your character hold their shoulders? Are they held back with confidence or cave into themselves to hide? Is your character old and hunched over? Is she pregnant, standing with her belly thrust forward, and her hand on her lower back? Endless postures exist to help characterize
Mannerisms and Quirks. These are those little details that help add character depth. Dramatic Interpretation is about analysis/interpretation and nothing says you have executed your job quite like a cast that all have their personal quirks. Confused on what mannerisms and quirks are? They are those little ticks we all have. It’s the head tilt you do when you are utterly flummoxed. That seizing with teeth of the lower lip when you think someone is enthusiastic. They are those humourous mouth stretches (yawns?) that Johnny Depp’s character Mort does in Secret Window. These are only as bottomless as your imagination
Stamina. Essentially how quick or slow a character moves. Are they young and bouncy or elderly and tortoise-esque? Your feet might not be able to move, but the energy you place behind other motions help display if a character is spry
Facials Some characters might be depicted as having characteristic facial features or ticks. If you can replicate these, go for it! For instance, if a character is stated to perpetually be glowering then when you play them you should be glowering (appropriately)
It’s the little things that abstracted an idiosyncratic from a slew of people. Same rule applies in Dramatic Interpretation; your characters can only go unforgettable and separated if you evolve them. Grab your analysis and script, play around with ideas, and create a character that is not only veracious to the piece but also awful
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